Like many guitar players, I’m self taught. While I believe that we
autodidacts develop a degree of independence and creativity in our
approach that eludes some schooled players, the cost of this is that we
also tend to develop an impressive array of bad habits.
While some
“bad” habits and unconventional techniques can be the very things that
endow us with a unique style, others are the barriers that prevent us
from realising our musical ideals.
With this in mind, I’d like to
share with you five practical, personally tried and tested ideas to
revamp your playing by re-examining the rudiments of how you connect and
interact with your instrument.
Mea Culpa
I’m
not a great guitarist, and probably never will be. I’m neither a
technical wizard, great through sheer application and effort of will,
nor an inimitable one-off, endowed with an unfathomably idiosyncratic
style. Then again, most of the players I admire aren’t the image of
perfection either and, come to that, even many of the “great” players
have noticeable flaws: Jimmy Page is famously sloppy, Kirk Hammet has a
notoriously iffy vibrato technique…
Point is, being a good guitar
player means being exciting, interesting, passionate and musical. It
doesn’t mean being perfect and, besides, if there really was a
one-size-fits-all foolproof recipe for perfection, we’d all be
virtuosos.
But don’t quit your practice regimen just yet! Just
because you don’t have to be perfect doesn’t mean you don’t need to work
on finding and expressing your style, and even if you’re not interested
in the traditionally
“technical” disciplines of jazz, classical and
shred metal (a weirder trio is hard to imagine!), it doesn’t mean you
can’t benefit from borrowing some of their ideas.
So, here we go. No crazy scales, no pythagorean gobbledegook. Guaranteed.