Showing posts with label Lessons. Show all posts
Showing posts with label Lessons. Show all posts

Tuesday, 30 April 2013

Back to Basics - Learn How To Play Guitar

So you want to learn how to play guitar do you? Well congratulations, because in my ever so humble opinion, learning to play the guitar is among the most rewarding things that you can learn. The goal of this article is not to turn you into some kind of overnight rock star, but rather to give you a bit of an introduction to the guitar, give you a couple chords to work on to get started.
But first… a question I come across all too frequently:

Can I Learn How To Play Guitar?

I had the good fortune of learning guitar when I was a teenager; however I’ve found that there are many people out there who are much further along in life, and are now wondering if it is even possible for them to learn at their age.
I’d like to answer that with a resounding YES!
Learn how to play guitar
YES! It is possible for you to learn to play guitar, regardless of your age. The oldest student of mine that I’ve heard from was 93… just starting to learn how to play guitar, and LOVING IT! The biggest

Monday, 29 April 2013

Using Accents In Your Guitar Strumming

This lesson is going to take a look at adding accents to your strumming patterns. To do this we will take a look at a simple strumming pattern that will uses some basic accents. Throwing accents into your strumming patterns can help make your rhythm guitar playing much more expressive, dynamic and interesting.

When you accent a strum you are basically just playing that particular down or upstroke a bit harder than all of the other strums in the pattern. Accented notes are usually indicated by a little arrowhead symbol right below the notes. This may seem like an overly simple topic but I think that a lot of players underestimate the creative power of using accents in their playing.

Let’s take a look at a simple example to get the idea of how to start using accents in our strumming patterns. Play a simple sixteenth note strumming pattern with the “and” of each beat accented. You would count the strumming pattern like this “1 y and a 2 y and a 3 y and a 4 y and a”.  When you strum the “and” of each beat just dig in a little more and hit the strings harder in order to accent those strums. Make sure to use alternating down and upstrokes.

This example is pretty simple but it does a good job of getting the idea of using accents across nicely. Accents are a simple but often overlooked way to make your strumming patters more interesting and dynamic. When you are coming up with your own strumming patterns, or learning new ones from your favorite songs, don’t forget that you can kick your self-expression up a serious notch simply by using a few accents here and there. If you are playing with other musicians make sure to keep an ear out for what they are playing. The accents that other players use will often dictate the accents that you should use in your playing.

http://www.taylorguitars.com/blog/lessons-tips/using-accents-your-guitar-strumming-nate-savage

Friday, 26 April 2013

15 Guitar Tips for Non-Guitarists

When professional musicians set aside time to practice or take lessons, it is usually on their primary instrument. But in the world of the working musician, doubling on another instrument every once in a while is common, and there’s few instruments more common than the guitar. I’ve watched many talented musicians pick up the guitar and struggle to get comfortable with the instrument. Because of it’s popularity (and now video games with guitar-shaped controllers), a lot of people think the guitar is an easy instrument to just pick up and play, but I’m afraid that’s not the case. Perhaps it’s the guitar teacher inside of me, or the fact my friends often ask for pointers, but here are the most common guitar tips I give to non-guitarists starting to play guitar.

Holding the Guitar

Whether sitting or standing and using a strap, the guitar should be in roughly the same position. Despite what you see some guitarists in rock bands doing, the guitar is much harder to play when it’s hanging at your knees. Consider the type of music coming out of that guitar before you model your technique after the person holding it!
Note: This article will assume you play the guitar right handed, meaning your left hand pushes down on the strings and your right hand holds the pick or plucks the strings.
Every beginner’s guide to the guitar is going to start out telling you how to hold the instrument. My general advice is to first pretend that you are holding a guitar and pay attention to where your hands, wrists, elbows and arms line up with your body. The guitar should rest comfortably within the natural posture of your body. If it feels wrong, it’s probably wrong.
Tip: Sit down in a comfortable chair, sitting up straight with your shoulders in line with your hips and your knees straight in front of you, relaxed so they are slightly open. Let your left hand hang at your side, completely relaxed. Now bend at the elbow, raise your hand, and rotate your wrist so that your palm is facing nearly up. Your left hand should be almost over your left knee. There should be a slight curve to your fingers and thumb. The neck of the guitar should pass through your hand in this position comfortably. If you were to look down at yourself from a birds-eye view, the guitar will be at an angle, only touching your right leg and the right side of your stomach.
The exact position of your right arm will vary based on the size of the guitar and guitarist. The only advice I can give without seeing you hold the guitar in person is make sure you are not contorting your shoulder or elbow to reach over the top of the guitar. This is especially true for smaller body types playing larger acoustic guitars. To compensate, bring your left elbow forward, pushing the neck a little further from your body so the body of the guitar pivots back under your arm a little more. You’ll have to get used to not being able to see all the strings when you look down.

Thursday, 25 April 2013

Session Guitar: 10 Life-Saving Soloing Tips

Hi, gang!

Seventy percent of my time as a session guitarist is spent soloing and/or coming up with parts. These can also be considered mini solos or licks. Or, as we call them from a songwriting POV, hooks. A memorable little snippet that repeats through the song. Or maybe just a part to wake listeners up during the second verse.
Now, how do I come up with something out of nothing? I rarely get to hear the song before I am called to play on it. I like that word "play." That's what I am doing. Playing around with various ideas. No one expects instant magic, but it has happened. Sometimes it's quick and easy, and sometimes it's like pulling teeth. You just never know. So how do I do it? Where do the ideas come from?

One word: EXPERIENCE.

Let's remember one thing right off the bat. When a person is hired to play, they are usually hired because the person who did the hiring has heard them play already. There is usually a sense of confidence. When these jobs come in the mail, I try to send back several solos and parts. Give more than is asked of me. Now how do I do it.

There are several tried-and true-methods I call upon to get me started. Here's a brief list of my top 10 life savers!

01. I SING THE SOLO FIRST

We guitarist use our hands. We fall into patterns. Now sometimes that's a good thing. But if you want to be original, sing it. It takes away your finger patterns and muscle memory and forces you into uncharted territory and new licks.

02. DECIDE ON A RHYTHM PATTERN

Begin with something slow and think whole notes, then move on to 8th notes. Change the feel and work with triplets. End on 16th notes or faster. Create a build. Tension. Or just stick to a main pattern and keep coming back to it.

03. USE LIMITATIONS.


Sunday, 21 April 2013

Six Beginner Guitar Tips for Teaching Yourself How to Play the Guitar

A lot of us want to learn how to play the guitar, but we have no idea where to start, and for some of us we don't want to pay out $15 an hour for a music teacher; I know I didn't. So when I started playing music ten years ago, I decided to teach myself.
Teaching yourself how to play the guitar is not only fun, but in the long run you will learn a lot more about your instrument, save a lot more cash, and the overall experience of learning on your own will be a lot more rewarding. The downside is that you will need to really stay focused and push yourself to keep moving forward; otherwise, you won't learn a thing.
In this guide I will try to help you to break down your lessons into six easy steps so that you can create your own practice sessions that work best for you. It really isn't that hard, but you have to stick with it. If I taught myself how to play the guitar, then so can you.

1. Buy an affordable guitar

The first thing you need to obviously do is buy your first guitar. I would recommend that you don't pay more than $100 on your first guitar. You may ask "Why not?"
Because who knows how long you will play the guitar. You might just give up within the first month, so why spend $200 on an instrument that will just sit around on display? If you aren't going to play it, don't spend a lot of money on it. My first guitar was under $70, and it was perfect. It didn't have any damage, there was no fret or truss rod problems, and the sound quality was surprisingly very nice. Whoever made my guitar took the time to do it right. The point is that you can buy a good quality guitar for very little money. All of those people out there that say "Buy a guitar for $200 because you get what you pay for" are sadly just saying that to make you waste money. Test some guitars out in store and try to find one you like that has the lowest price tag.

If you stick with playing the guitar, you can always upgrade to a better one in the future. I once heard a professional musician play Flight of the bumblebee on a $1 Recorder, and he made it sound epic. As you get better at playing the guitar you will discover that your first guitar will actually start to sound better over time as you perfect your skills. It's not the instrument that makes a good musician, but the musician that makes the instrument.